My interest in Queensryche goes a pretty long way back and I can say to the readers that the first time I ever caught them in concert was when they were opening up for KISS on the bands “Animalize” tour. They were supporting their soon to be released masterpiece “Warning” and believe it or not, I couldn’t have cared less that night. This was based on the KISS mania setting in and my not being open to this obviously rising star in the Metal world. I was not alone in this view and that was just how a KISS show worked. You often were bored at any opening band while you waited for the Kings Of The Nighttime World to come out and dominate the stage. Moving ahead a couple of years in time, the chance to see Queensryche again happened when Iron Maiden was on their legendary “Powerslave” tour and for me this was a match made in heaven. I say it like this because the band was winning me over note after note and had the many thousands of fans in Radio City Music Hall pushing their fists into the air as singer Geoff Tate told us to “Take Hold Of The Flame” with a soaring and commanding register. I’ve been a fan ever since that time and have followed them as a band in both my personal life and as that of a music journalist. They pushed the envelope a number of times in their releases and we have reviewed many of their recordings and video films on the site as well as supported their touring efforts. To see any contest that features Queensryche just click their logo below to launch the query that will present all that is resident on the PiercingMetal.com website.
Title: “Promised Land” (remaster)
Label: EMI Music/Capitol Records
Release Date: 6/10/2003
Genre: Progressive Rock
Queensryche would continue its progression into a slightly different style from their origin on “Promised Land”. The album would follow hit maker “Empire” after a long break in releases for the band was almost always on tour. Released in 1994 we find a very different Queensryche and the end result makes “Promised Land” a very tricky record to absorb. While there are some solid rocking tracks like “I Am I” and “Damaged” there are also a few that seem out of place in this particular band (“Dis con nect ted”). “Bridge” is a nice ballad and would have made a good single for the band but I don’t recall it getting much radio play. The times of the day were loaded with other Seattle bands now as the “grunge movement” was in full sway and dominating every medium available. The title track itself has a very Pink Floyd feel to it and perhaps owes some respect to the legends for the way it ebbs and flows. At this point Queensryche had their core following and it seemed to maintain its course from there. Those that wanted heavy music had long since stopped and perhaps the mega hit of “Silent Lucidity” from “Empire” while making the necessary financial changes to their lives ended up costing some of those who supported from the beginning.
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