Label: Epic Records
Release Date: 12/21/2009
Genre: Math Metal
The fifth Mudvayne release is actually self-titled and musically finds the band taking a step back in the direction that their fans expect them to follow while also being one that calls to mind their earlier years in terms of some of the ideas that they are presenting. If this is confusing you then should realize how their previous release of “The New Game” had a more Rock and Roll vibe to it and was something that might have left the longest standing Mudvayne fans scratching their heads in wonder about where their favorite band was going. Now back to brass tacks on “Mudvayne”, I am happy to report that the album is an infectious one, and a very consistent listen that finds each and every track fulfilling your specific Mudvayne needs. The technical displays of Math Metal prowess are there but the album does not adventure so deep into that territory that it risks losing your interest and instead delivers a number of catchy hooks and solid riffs that when paired together in this fashion give you some great tracks. Chad seems to be singing better than ever and had me sold on the album by the time they reached “Scream With Me” which came as my first favorite on the release. “Closer” is also good and “1000 Mile Journey” as well – the latter track being probably the heaviest of the albums offerings.
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Artist: Paul Booth
Title: “Last Rites” – Volume 1
Label: Paul Booth Films
Release Date: 5/18/2007
Among the Metal elite there is one name that continually comes up with reverence when the talk is related to the sacred art of ink – and that name is Paul Booth. Booth has run the Last Rites Tattoo Theatre since 1991 and this film brings those who dare to view it into the dark world that he walks upon every single day. If you should already be a fan of his work or just someone who is among the curious then this documentary of sorts actually turns out to be a very interesting and unpredictable video to watch. It’s not recommended for the faint of heart based on some of the imagery presented but for those who can handle a little bit of everything then you need not worry at all. It begins with the destruction of Paul’s original shop in New York where he finds that the friends he asked to help with the demolition did a little too good a job and risked the artist being sued by the property owners. From there it jumps around a little bit and shows historic footage from his personal archives as he inks the worlds most famous bands and popular faces from the Metal scene of today. His shop sure looks interesting and is definitely one of those places where all the ornaments and décor seems to have a story to it. Skulls and demonic images are at every glance and we learn that a lot of the artist’s interest and background comes from his deep love of Horror movies. He doesn’t only like the good ones but also makes sure to absorb those really terrible ones as well. He lines out that he definitely has one of the most extensive Horror video collections in the world. The film follows Paul around to some of the concerts and events he has attended and one gets to see the reaction he causes among the music followers at these places. One dude begs to be inked by the master and is willing to fork over the last dollars he has left in his pockets. Paul agrees to do it which obviously made this individuals day and life for that matter. The interaction at the Slayer signing table is funny as well as Paul is besieged by the drunks after the show. One piece I found a little bit much was the guy who kept piercing himself and was just a bloody mess. I saw no purpose for its inclusion and perhaps that is why it is there in the first place.
Continue reading “Paul Booth’s Last Rites” Vol. 1 by Paul Booth Films