Rotting Christ brings the “Devastation On The Nation” Tour to Brooklyn with support from Borknagar, Wolfheart and Abigail Williams. This is going to be a good one and a likely packed room. Don’t delay in getting there.
The Press Release:
The Greek metal veterans of ROTTING CHRIST will headline 2020’s edition of the Devastation on the Nation tour, which will lay waste to cities throughout North America. The trek will kick off on March 19 in Berkeley, CA and will conclude on April 19 in Los Angeles, CA. The band will be supported by BORKNAGAR, WOLFHEART, ABIGAIL WILLIAMS, and more. The full run of dates can be found below while all ticket links will be made available at MetalFestivalTours.com at THIS LOCATION.
Speaking about the upcoming tour, ROTTING CHRIST frontman Sakis Tolis comments, “We are thrilled to announce that we are finally back in North America after four years. Together with a great bunch of bands, we are ready to make some hell! Until then…NON SERVIAM.”
Continue reading Rotting Christ Announces US Headlining Tour
These album overviews were originally written for Metal Edge Magazine when I was a contributor to their “Hear Us Out” CD reviews section back in 2006-2007. With the magazine wrapping up publication a few months ago, I decided to add them to the context of our PiercingMetal presentation. I felt that by doing this I would not only be raising the horns in remembrance of the magazine but would also be able to showcase just how different writing for a major publication was when it all came down to it. Since “Hear Us Out” notations were usually “100” words in length, these posts will feature several reviews each until we run out of them. The freelance writing tenure at Metal Edge Magazine was discussed on THIS LINK so please check that out when done. Here are the reviews, so “Hear Us Out”.
36 Crazyfists: “Rest Inside The Flames” (DRT Entertainment)
Newly signed to DRT Entertainment, the Post Hardcore meets Melodic Metalcore guys in 36 Crazyfists give us their third album “Rest Inside The Flames”. The release is a significant Metal punch to the teeth as they use the Hardcore vibe straight away but different from some bands that blend in the Melodic aspect, 36CF are often using the both at the same time. I found this a great dynamic instead of the switching off, and actually at the end of the listen wished that they had only used the clean vocal since it was so good. Songs like “On Any Given Night” are fantastic and serve to save the listener from the crop of Emo bands dished out and somehow popular. The drive and delivery of 36CF is bound to please those who are looking for some levels of anger in their music but also those who are seeking more melody than a lot of bands offer. There are a lot of flavors on the album and they even offer some tribute to their homelands on the cut “Aurora”, a song which they said is about love and its magic that can be inspired by the magnificent Northern Lights. If that’s not off the beaten path from other heavy bands I don’t know what else is. There is also a lot of cool music on the release as well as far as time signatures and overall technical display. The band has been around since 1994 so their time together shows in the tightness of the performance on the recording. This resulting tightness makes songs like “Felt Through A Phone Line” among the best on the album and a sure fire hit once it gets to the proper ears. Now despite the harmonies on a number of tracks there is still the continual assault which you find especially on tracks like “Elysium”; the number is a one-two punch of Metal force which makes it interesting to realize that the band takes their very name from one of Jackie Chan’s Kung-Fu movies. In similar fashion to that kind of film the band hits you hard and from a number of different angles leaving you as a listener very clearly remembering what has hit you. There is a lot of fun to be had with this album and there is a very live feel to the music that should transfer well to the group’s performances.
3 Legged Dogg: “Frozen Summer” (Perris Records)
When you take members of Dio, DLR and Quiet Riot you are bound to get a super group and this is exactly what you find in the Bluesy Hard Rock of 3LD. Singer Chas West reminds me of Coverdale while the riffs and drums thunder with Zeppelin/Purple finesse. It’s surprisingly fresh and catchy all around and the perfect band in a day where the old sound is sorely required once again. It’s a great new musical vehicle for Bain, Appice, West, Young and Cavazo but they should really change that name since it takes away from this truly impressive debut.
Continue reading Revisiting “Metal Edge” Magazine: The CD Reviews – Part 1
Artist: Various Artists
Title: “This Is Black Metal”
Label: MVD Entertainment
Release Date: 10/9/2007
Genre: Black Metal
“This Is Black Metal” is quite simply a DVD that features a total of seven professional videos and live performance clips and the same number in interview footage segments from a good sampling of Black Metal’s elite. Yet while these bands are true luminaries in the genre most of the videos presented were available on deluxe editions of their individual CD’s and why only seven when it comes down to it? Was it a cost factor or due to licensing and permission perhaps – but either way there is not truly enough to sink your fangs into for this aspect of it and it will leave you saying “well, what else do you have for me”. When you watch the main program as one single view, you will notice that the videos are interspaced by interview segments with the band and all of these portions are conducted by former Adult Film Star Jasmin St. Claire. There are many who know that Jasmin is the hostess of her own straight-to-video DVD series called “Metal’s Darkside” and while this particular release was met with a very mixed opinion (including my own) I had to say that the interview segments seemed to be a little more on a par of getting something good out of the band as opposed to sitting there and shooting the shit inanely. Of the interview segments I found that the best one was with the Mighty Emperor and Satyr for those featured more insight into what Black Metal is about and aimed at than the others. Celtic Frosts interview seemed to show some promise but it was a very bad audio mix during it which made it arduous to listen to. The guys in Venom were more comical to watch than anything else and I felt that the Morbid Angel one was just ill-used space for a band of their caliber. We also get an interview with Ms. St. Claire but it is more focused on her background and life than digging deeper into her own Metal interests to an analytical end. I admit that I remain on the fence about her work in this area but I am happy to see some improvement from the last time that I saw some of her adventuring in this regard. I think that the fans of JSC will enjoy this the most since they get to see her continuing to do that which they love her doing.
Continue reading “This Is Black Metal” by Various Artists
Label: Century Media Records
Release Date: 10/31/2006
The rising popularity of Folk and Celtic music and its continual expression in a number of the world’s Metal bands of today had this release make perfect sense for the members of Borknagar. As many already know, Borknagar are literally the masters of Progressive Black Metal and prove them as such on almost every outing that they undertake. Their main songwriter (Oystein G. Brun) is the type of writer who always composes the bands music in the acoustic sense. This made the decision to release an album that was not only acoustic and classically based, but itself an acoustic album a promising idea. The thinking was that it would allow fans of the band to see just how musical they are and how deep the melody goes. Isn’t it interesting to find the level of Progressive Black Metal they do coming from such vibrant acoustic compositions. We saw Opeth go this route on “Damnation”, and Green Carnation with “The Acoustic Verses”; yet this album is far more traditional and not as experimental as those others. The comparison is to cite that this can and often does work very well. The only downside is that the album is very short and runs a mere 35 minutes and will leave the listener with a sense of wanting more. At least the replay is but a click of the remote away. The main band performs on the following instruments Oystein G. Brun (acoustic, classic and high string guitars), Lars A. Nedland (piano, keyboards, organs and backing vocals), Vintersorg (vocals, choirs, and chants), Tyr (bass) and Asgeir Mickelson (drums). It was very interesting to hear Vintersorg singing in complete melody for a change for there are no growls to be found anywhere on this release. Several guest musicians that truly bring this to a brighter life accompany Borknagar. Among their number is Steiner Ofsdal (woodwinds), Sareeta (violin) and Thomas Nilsson (cello).
Continue reading “Origin” by Borknagar