Artist: Various Artists
Title: “A Very Spidey Christmas”
Label: Sony Classical
Release Date: 12/21/2018
I recently caught the brand-new animated Spider-Man feature by Sony Pictures called “Spider-Man: Into The Spider-Verse” which was a whole lot of fun for a wide age range of viewers. We’re big superhero fans here at the PiercingMetal Media Command HQ and regularly offer up critique on the comic book and film industry that releases such as this are geared towards and some items about the film can be enjoyed HERE. During the film, the original Spider-Man of the film lines out a number of his accomplishments with one of them being a Christmas Album. That brings us to “A Very Spidey-Christmas” and with today being Christmas Eve, I figured lets do a quick overview of this fun little EP. There are five tracks in all but the entire release is only 10 minutes in length so you can give it a quick listen in Spotify if you are so compelled when all is said and done. Now let’s discuss the tracks.
Continue reading “A Very Spidey Christmas” by Various Artists
Artist: New Years Day
Title: “Diary Of A Creep”
Label: Century Media Records
Release Date: 2/23/2018
Genre: Alternative Hard Rock
It’s been a minute since I’ve looked into the doings and brewing’s of the band New Years Day, so I was rather excited to dig into this new EP offering called “Diary Of A Creep”. The extended play comes care of the Century Media Records label and is one brand-new original song along with five covers. Generally speaking, the idea of cover albums has grown boring for me, but I’ve opened up on them a little more of late since they are not coming out as often as they used to. There was a time a few short years ago where almost every artist was dishing out a covers album and too much just makes a unique idea stale. The new track is called “Disgust Me” and I loved the overall groove of this one and had to say that there were points when Ash reminded me of Maria Brink of In This Moment. With that band no longer on CMR, perhaps NYD will rise in the ranks to be that sort of band for their roster.
Continue reading “Diary Of A Creep” by New Years Day
Artist: Ace Frehley
Title: “Anomaly” (Deluxe Edition)
Label: eOne Entertainment
Release Date: 10/6/2017
Genre: Hard Rock
Back in 2009, the world was excited as all heck about the return to recording by the legendary Ace Frehley, the forever Space Man of the band KISS where he used to sonically shred us on the lead guitar. The album was called “Anomaly” and at the time came care of Rocket Science Records. I reviewed that release on the website and you can see that care of THIS LINK. However, now that the Space Ace has been signed to the fine folks at eOne Entertainment AND re-issued this album as a spiffy Deluxe Edition, I am rehashing my original thoughts about the album (since they are the same as they were back then) and then closing out with words on the newly added Bonus Tracks. Take a look.
“Has it really been 20 years since the last Ace Frehley solo record was released? Yes my friends it has because in 1989, The Space Ace would release his final album with Frehley’s Comet “Trouble Walkin’” and eventually find his way back to KISS for reunion shows in full makeup. From this he would return to his solo career and that brings us to the present and to his stellar new release – “Anomaly”. I know what you are saying and that is probably something like “Twenty years? This better be good” and you have a right to be concerned because Guns ‘N Roses took sixteen to put out “Chinese Democracy” and that album was uhm well, let’s move along shall we. The great thing is that the Ace record does live up to expectations and delivers on all counts that one could have hoped it would have. We have been finding ourselves in the year of the throwback release and this means that a legacy artist is returning to a form that made them so special to us in the first place and as far as “Anomaly” is concerned, I would have to say that this is the natural successor to the groundwork first delivered on his 1978 solo release and then on his debut with Frehley’s Comet for their self titled album with just a touch of “Second Sighting” tossed in for good measure. I realize that I appear to be putting it on thick but in truth this is no exaggeration which the listeners will quickly understand as opening track “Foxy & Free” opens up with its crunching riff and rock solid drums. The first single Ace put forth for the release comes up next with “Outer Space” which is a good tune but not one I would have opted to make my first listen. A slight sarcastic wit comes out during “Pain In The Neck” where Ace shows us how not all relationships are peaches and cream. We get a tasty rendition of The Sweet’s “Fox On The Run” that while bearing none of the familiar synthesizers or high pitched vocals is still a nice cover.”
Continue reading “Anomaly” (Deluxe Edition) by Ace Frehley
Artist: The Last Stand
Title: “This Is Real”
Label: Irish Voodoo Records
Release Date: 6/9/2017
Truth be told I really don’t do a lot of Hardcore reviews here on PiercingMetal.com and despite that oversight we’ve a strong appreciation for the bands of legend like Sick Of It All, Agnostic Front and even some Murphy’s Law when it all comes down to it. It’s important to stress that this oversight is not based on indifference and instead more of a “going with what you know” sort of things and with us that is a deep breadth of Heavy Metal, Hard Rock and Punk and this is what made my overview of the new EP by The Last Stand a bit of a quandary but once I started streaming “This Is Real” it became a little easier of a task. The EP begins with a building riff that leads to an almost Thrash Metal sort of crescendo and when the quick paced drumming kicks into gear it’s enough to get you off your feet and start the circle pit. The words for the album’s title lines out how this is more than just clever phrasing and is instead a lifestyle that is believed in firmly. Good stuff.
Continue reading “This Is Real” by The Last Stand
Artist: Crimson Glory
Title: “Transcendence” (reissue/remaster)
Label: Metalville/Roadrunner Archive
Release Date: 6/2/2017
Genre: Progressive Metal
Way back in the bygone days of 2008, the folks at Metal Mind Productions began re-issuing classic Roadrunner Records releases as limited edition numbered imports. They generally released about “2,000” of them and once they were gone they were gone. There was no way that a fan was going to get another copy unless they found someone selling them on eBay or perhaps in some sort of brick and mortar close out sale. Fast forward to the “now”, the folks at Metalville are re-issuing many of these classics under a “Roadrunner Archive” banner and one such release is the sophomore album by Crimson Glory called “Transcendance”. Having reviewed this item already and only using a digital stream to compose my thoughts about it, I found my head in the same place about the album so I’m repeating that review since it completely applies for it.
If there was ever an album that I was dying to find a remaster done for then it would most certainly be Crimson Glory’s sophomore release “Transcendence”. Originally released by Roadrunner Records in 1988 this album is nothing less than a Progressive Metal masterpiece from beginning to end, and when Metal Mind Productions announced their plans on reissuing it I was very excited to say the least. The Florida band had been impressing fans of Progressive Metal for a couple of years now with an intense musical and visual presentation that began with their self titled debut album “Crimson Glory”. The band sported big hair and instruments and wore silver masks to conceal their faces but beyond the imagery we found out just how good they could play and it made the debut one of the strongest of its kind for the day. “Transcendence” takes us to the next logical step as the bands explorations into the realms that they first presented us with on their self-titled album grow ever more interesting and involved. The album, while musically along the same lines as their first (thought perhaps a little more locked in and melodic), found one major change in their visuals. As the early photos demonstrate, the band wore full face silver masks and only singer Midnight had his mouth exposed in order to sing with more ease than having it covered. By the time “Transcendence” was released the band had discovered that performing with faces covered was quite hot and difficult to do so they would move to donning half face masks that were very reminiscent of something out of the Phantom of the Opera. Each of these new masks was slightly different from each other and with it I felt that it added new levels of drama to them as opposed to taking any of it away. Thinking back on the original album I remembered that I never owned this release on vinyl and instead had only been able to find it on cassette tape back in the day and according to research it had never been on CD until around 2001.
Continue reading “Transcendence” (reissue) by Crimson Glory