Artist: King Diamond Title: “Masquerade Of Madness” (Single) Label: Metal Blade Records Release Date: 11/8/2019 Genre: Heavy Metal Rating:
It was only a few short hours ago that the legendary King Diamond took over NYC with a show at Brooklyn’s beautiful King’s Theatre. While we were not in attendance to be able to share much about the show with you, I did learn that a brand-new song called “Masquerade Of Madness” was performed mid-way through the show. Now that the clock has struck midnight, the rest of the world can absorb it via whatever their preferred streaming service might be. The song is available on all of them and comes care of Metal Blade Records. Let’s discuss in brief. Continue reading “Masquerade Of Madness” (Single) by King Diamond→
Artist: William DuVall Venue: The Cutting Room (New York, NY) Date: 10/23/2019 Label: Independent Artist
You know his voice as being the crushing register behind the music of Alice In Chains these days but tonight singer William DuVall was going to be celebrating a different sound altogether. He recently released an acoustic solo album called “One Alone” and had locked in a string of performances at the City Winery venues across the country. With the NYC City Winery relocating at the time, this particular show would be held at The Cutting Room, a venue with a similar vibe to The Winery. Thanks to our supporting both venues with our events calendar for a number of years I found an invitation being extended to our outlet and we even held a fun contest for others to come on out and enjoy the show. I was excited to come since I had never managed to see William perform yet. Now as I mentioned this was to celebrate an acoustic album and solo show so there was only William and no band joining him on the intimate stage. There wasn’t even an opener to the set this evening, so it started at 8PM sharp.
Now before I begin let’s discuss the layout of The Cutting Room. This is pretty much a completely seated venue with a table service happening throughout the performance. A quick comparison is with how the now shuttered B.B. King Blues Club and Highline Ballroom used to do the seated shows and kept a minimum charge per set or per show. I arrived just before DuVall would hit the stage and would be sitting towards the back of the space since all of the closer tables were filled to the max. It was nice to see a healthy crowd ready to absorb the singer’s new music.
William started off with a number that was originally a Comes With The Fall song called “Waiting Out The Breakdown” and I will admit that this was a brand-new name to my mental music database. In a nutshell this was a band that DuVall had formed in 1999 and over time they became connected with Alice In Chains Jerry Cantrell which set the wheels in motion for their eventual collaboration. I love when stuff like this happens as it makes learning music history all the more fascinating. Next up would be the sole Alice In Chains number with “Never Fade” which is a song that he was actually a part of. There would be no “Greatest Hits” of AIC this evening and while some folks I spoke to found this to be disappointing I was completely pleased by this. As the show continued, William took us through his personal music history with more songs by CWTF and then a number by Madfly with “Chains Around My Heart”. This was a band that preceded CWTF and was more of a Glam Pop outfit. I had to say that it was interesting to hear all of this stuff done with a single voice and an acoustic guitar. William’s register was glorious tonight and cut through the silence of the room as all in attendance kept focused and let the music move them.
William spoke briefly at points about where his head was for some songs but overall he kept the banter to a minimum and instead let the music do the talking. He revisited some of his earliest output with “I Know” which was a song that he wrote for singer Dionne Farris and everyone seemed to like it. The show would feature two covers this evening with one by David Bowie “Lady Stardust” and another by Aerosmith with “Seasons Of Wither” and while I felt that they were an odd choice to do when promoting a new solo album, I had to say that they worked out rather well. The diehard Bowie fan in me preferred the way he did the Aerosmith number since I am rather fussy about covers of David’s stuff. Sure it sounded good but its one of my own quirks.
William mentioned a few times over the course of the night that his new album “One Alone” was available for sale this evening and this album comes care of his own DVL Recordings, so I hope that everyone was purchasing one before they left the show. He would close up the thirteen-song night with the albums first single “Til The Light Guides Me Home” and after a humble thank you left the stage and that was it. The whole show was just over an hour and I stuck around a little bit in hopes of seeing William make an appearance at the merchandise table. This didn’t seem to be the case and if I was reading the room properly, there was going to be a later evening performance by a popular area music personality. Overall this was a good time and I’d likely come out to see him again and I think that you should as well.
1. Waiting Out the Breakdown
2. Never Fade
3. Smoke and Mirrors
4. White Hot
5. Lady Stardust
6. Chains Around My Heart
7. Still Got a Hold on My Heart
8. So Cruel
9. Seasons of Wither
10. I Know
11. Keep Driving Me Away
12. No Need to Wonder
13. ‘Til the Light Guides Me Home
I guess it was just about a month ago when we helped to share the news about the upcoming Nightwish live concert video and album entitled “Decades Live In Buenos Aires” and now we have a clip from the concert to share with you for the song “Devil and The Deep Dark Ocean”. The song hails from the bands second album “Oceanborn” which was released in 1999. If you want to learn more about the upcoming release just click HERE for the lowdown and all of the different formats that you can get it in. Now it’s time to sit back and watch the video together.
PiercingMetal Thoughts: Historically speaking I’ve been listening to Nightwish since that second album and I even caught their first-ever NYC show when the band played the famous L’Amour club. My tenure as a fan has been so long that there wasn’t even a PiercingMetal yet for those who needed a reference point. Watching this video made me mentally relive the exciting concert that I witnessed last year at the Playstation Theater. It was the second time that Nightwish had played their and now with this venue closing its doors in December it can never happen again. Seeing them perform for an excited crowd in Buenos Aires is amazing because the overall sound of Nightwish is BIG and quite powerful. Everyone sounds amazing in the clip and it just made me more excited about owning a copy of this release when it hits the streets in December. Having seen some posts about European tours for the band one can only imagine that a US run will be announced in due time and when that happens my friends you should not waste any time in getting a ticket.
Artist: The Aristocrats Venue: Gramercy Theatre (New York, NY) Opener: Travis Larson Band Date: 8/3/2019 Label:
Since I don’t always find myself getting to Progressive Music shows, I was really happy to be able to be on point for the recent appearance by a collective that I would say falls into the realm of Supergroup in terms of each members background. I am talking about none other than The Aristocrats, a group that formed in 2011 and features Guthrie Govan on guitar, Bryan Beller on bass and the inimitable Marco Minnemann on the drums. They would hit the ever popular Gramercy Theatre for an evening of mind-altering Progressive melodies and be joined by The Travis Larson Band. Going in I had no idea about the sound of either group, so I was very much looking forward to the musical education that I was in store for. Here is how the night progressed.
[MESSAGE FROM THE CLERGY] We wish to inform you Papa Nihil has been feeling particularly nostalgic as of late…Chapter 8 is available now for your viewing pleasure.
PiercingMetal Thoughts: As a fan of history, I have to say that I really enjoyed this latest chapter because it gives the Flock a great look at some rare and truly vintage performance footage from times long ago when Papa Nihil was heralding the charge and the message. Dare I say that this was very “Groovy” and had lots and lots of soul (or is it souls????). You gotta also love the quasi-Beatles coif that Papa was sporting. Now the tune while approximately 50 years old has stood up across the sands of time and I am glad to find them considering a re-release for all of the newbies to their brand of sonic soul procurement. Could Papa 0 be considering a return to the stage with all of the original Nameless Ghouls? Let’s raise the interest by sharing this clip and rallying behind them by posting to social networks and speaking about it to the hapless passerby on the street. The Clergy summons, and I’d suggest you comply. Until next time.