If you’re finding yourself in a bit of a peaceful vibe and thinking of songs from yesteryear today, it’s probably due to the fact that on this day some 50 years ago that the “Woodstock Music and Art Fair” took place up in Bethel NY on Max Yasgur’s farm. Yeah, despite the name, the event was about 45 miles away from the town of Woodstock but that no longer seems to matter. The very well documented affair started out as a pay to enter thing but as the masses began to assemble after lengthy pilgrimages up the highways of New York State they just let anyone who arrived in for free. When it all came down to it there were about 400K in attendance. In honor of the music festivals milestone 50th year, I’ve culled together some topical images and information about who played on what day but left it at that since so much of the logistics and more are easily learned via the official Wiki which is linked down below.
“Warriors……come out to playeeeaye…….Warriors…..come out to playeeeee” – This phrase rings like a bell in the minds of the folks who saw the Paramount Pictures release “The Warriors” which came out on this day in 1979. Though its more common for me to extol the virtues of the music related or geek culture films more than something like this, I couldn’t let today go by without raising a glass to it since its remained a favorite Action/Thriller of a film. I’m not going to overdue my analysis of the plot since that all been done on its Official Wikipedia which will be linked at the close, and instead offer up some recollections that make this a special movie to me. After the poster I’ve lined out the premise and the casting so can you dig it? “Can You Dig It!!!!!!”
The Plot: Cyrus, leader of the Gramercy Riffs, the most powerful gang in New York City, calls a midnight summit of all the city’s gangs, requesting them to send nine unarmed delegates to Van Cortlandt Park. The Warriors, from Coney Island, attend the summit. Cyrus proposes to the assembled crowd a permanent citywide truce and alliance that would allow the gangs to control the city since they outnumber the police by three to one. Most of the gangs applaud his idea, but Luther, leader of the Rogues, shoots Cyrus dead. In the resulting chaos, Luther frames the Warriors’ leader Cleon for the murder, and Cleon is beaten down and most likely killed by the Riffs. Meanwhile, the other Warriors have escaped, unaware that they’ve been implicated in Cyrus’ murder. The Riffs put out a hit on the Warriors through a radio DJ. Swan, the Warriors’ “war chief”, takes charge of the group as they try to make it back home. (thanks Wiki) Continue reading Paramount Pictures “The Warriors” Still Running @ 40 Years (1979-2019)→
The other day the band Taking Back Sunday announced a special performance at NYC’s own Irving Plaza to help the venue reach a concert attendance milestone for the 2018 year and sell out a full “100” shows. Today we help celebrate this accomplishment by saying “well done” and please keep that stuff coming.
PiercingMetal Thoughts: “100 Sold-Out” shows is no joke nor an easy feat so kudos to everyone involved in making that happen. I’m talking about the venue promoters, the bookers and the bands and most importantly – YOU!!! That’s right YOU….The fans are the most crucial factor in making a show be a complete sell out event. Irving Plaza holds “about” 1100 people and historically speaking if I can trust my old ticket stubs and entries on setlist.fm, I have been here well over 100 times. From the looks of it, the only venue that I went to more than this one is the now shuttered B.B. King Blues Club (please bow your heads for a moment of silence – thank you). Continue reading NYC’s Irving Plaza Celebrates “100 Sold-Out Shows” For 2018→
Before I get started on this latest album anniversary or “music milestone” as we’ve been apt to refer to them, I must admit that way back in the days of 1988, I was NOT listening to the band Blind Guardian at all and the same applies for a lot of bands from this region of the world. We are still going to raise a goblet of our favorite drink in honor of the birthday of their debut album “Battalions Of Fear” which came out care of No Remorse Records on this very day thirty years ago. Fans of Blind Guardian who might have come on board over the last dozen years or so ago love them for the polished and exciting Power Metal that they are true masters of. Given my lack of overall background on the debut itself, I’ll be deferring readers to the official Wikipedia entry at the close
Having referenced the bands acumen as Power Metal leaders, it might surprise some of you to learn that this was not at all how the band started out. When you begin to give a listen to “Battalions Of Fear” you find instead a fast-paced, more Speed Metal meets Thrash Metal type of release. In 1988 I can honestly say that Blind Guardian had more in common with the likes of Metallica and Exodus or even Anvil in terms of how the drumming and frenzied riffs were being laid down. It was interesting to me for sure because in 1988 I was really focused on more of the US Metal, even though I did have a few bands from that side of the pond that I enjoyed quite a bit. “Majesty” rips you a new one while “Guardian Of The Blind” has some awesome layers to it and drumming that made me bang my head while I was composing this toast. Believe me that is not easy to do when you are trying to type. “Trial By The Archon” reminded me a lot of the vibe that early Iron Maiden had to them and perhaps this short instrumental number was designed to be an homage of the Brits. “Wizard’s Crown” continues the same vibe and there is a strong cohesion to the full release. The members of the band for the debut are of course singer Hansi Kursch who was also on bass at the time. Andre Olbrich was on lead guitar and Marcus Siepen on rhythm while Thomas “Thomen” Stauch played drums Continue reading Blind Guardian’s Debut “Battalions Of Fear” Hits 30 Years (1988-2018)→
Greetings friends it’s time to once again scroll back through the sands of time and pull out another classic album and celebrate its anniversary. Today we are raising a glass of whatever you like to drink the most and saying “Congratulations” to the band King’s X on the thirtieth anniversary of their debut album “Out Of The Silent Planet”. The album was released on this day thirty years ago on the Megaforce Records label and while it is a solid piece of musical work, there were far too many of us who missed out on it until much later. I say it like this because in 1988, the Hard Rock and Metal scene was getting ready for a dramatic almost seismic shift as the Grunge Movement from the Seattle side of the fence was getting ready to take a full hold of the music buying public. Back then I was listening to the reasonably new sound of Power Metal with bands like Helloween and the like and while I would catch King’s X on video playing networks such as MTV and their “Headbanger’s Ball” the bands sound eluded me. Sure, I liked a few tracks and the clips that accompanied them but was I dedicating myself to the body of work. No I wasn’t and it would take a few more albums for me to consider myself an acolyte of some kind.
That being said, many of my friends who found what I was listening to as “too much mayhem” for their liking, they became devoted followers of what King’s X was bringing to the musical table and would see them whenever they came to town. It would be many years later that I finally would catch them and one of the first things that I remembered about them that impressed me was that it was still the original three members of Dug Pinnick (bass and vocals), Ty Tabor (guitar and vocals) and Jerry Gaskill (drums and vocals). There are not many bands out there anywhere who can claim that the original founding lineup is still 100% in place. The second and probably the most important thing that I would notice when I would catch them was just how good they sounded and how close it was to the recordings that I had heard over the years. Continue reading Toasting 30 Years Of King’s X “Out Of The Silent Planet” (1988-2018)→