Artist: Carl Palmer
Venue: B.B. King Blues Club (New York, NY)
Label: Sanctuary Records
If you grew up in the Seventies and followed Progressive Rock music then you certainly would have been aware of the band Emerson, Lake & Palmer. For years they tested the limits of how Prog-Rock could be delivered and are held as legends in the genre for their accomplishments. Keith Emerson was super-human on his synthesizers while Greg Lake sang and played bass, the three-piece puzzle was complimented by the one and only Carl Palmer who was nothing short of a drumming genius. The mere mention of his name causes most percussionists to bow their heads and mumble utterances as to their lack of worthiness – all of it well deserved. Like most bands, people move on and ELP has not been around for about 10 years – allowing the individuals who made up the group to explore their own artistic direction and continue on the musical path. Tonight at B.B. King Blues Club, the legendary drummer Carl Palmer would be bringing a set of music to a sold-out room. Walking in we found tables for this one, and it was a shame since I know many people who were not able to get tickets for this. Seeing a drummer such as Carl perform in such an intimate venue is not something one would expect to do sitting down, so I snared a spot on the side and began to enjoy myself. The band would simply be Carl Palmer on drums and commentary, Stuart Clayton on bass and Paul Bielatowicz handling the guitar duties. Right off the bat I knew this would be interesting, as there is no keyboard player in the touring band. With so much of this in ELP music it would have to be piped in on tapes or performed somehow by the guitar player. The latter would be the case and the audience would find themselves treated to an amazing player on the axe with an almost Alan Holdsworth/Steve Vai level of skill. Song after song, he translated the Keith Emerson keyboard runs into guitar parts and the biggest surprise of all – he is 16 years old. Yes, Carl Palmer’s guitarist was the age of some of the kids who attended the show with their parents tonight and this kid was incredible to say the least. Despite the young man’s talent, everyone was there to see Carl, and he would be both drummer and emcee this evening. Sitting behind his blue vistalite Ludwig’s Carl would show everyone in attendance the level of play he is capable of and it is nothing short of astounding. Oddly enough it would be a much smaller kit than he ever used with both ELP and Asia, yet it worked on all levels for the set he would play with the band tonight.
All of the material would be instrumentals and as you can see by the set list included a number of compositions from the ELP catalog. Palmer would stop playing in order to come up front stage to the microphone where he would tell stories from his career along with a joke or two about the scenario before jumping back to the kit to play. Among the interesting and more amusing tales was the instance where Palmer described the band looking like the BeeGee’s for their recording of “Love Beach” and looking like an L.A. Pimp while living in the area during the late seventies with his Cadillac, gold chains, white shoes and other attire that fit the lifestyle. The audience clearly was enjoying his congenial and fun nature and the stories just added to the overall appeal of the evening. Towards the end of the set (which ran just about 110 minutes) they rocked with “Fanfare For The Common Man” and were led into a blistering drum solo as only Carl could deliver. The closer would be rocking rendition of “Carmina Burana”, which I actually did not enjoy all that much since I am so used to that being an orchestral number often seen with Trans-Siberian Orchestra. It was an interesting show to attend and I think everyone in the place left satisfied. Carl is a terrific drummer and showman who I recommend Progressive and Rock fans in general make sure to attend when he returns.
1. Peter Gunn Theme
2. The Barbarian
4. Enemy God Dances With the Black Spirits
6. L.A. Nights
7. Paul & Stu solo(w/ Flight of the Bumble Bee)
8. Romeo & Juliet
14. Fanfare For The Common Man
15. Carl’s drum solo – encore
16. Carmina Burana – encore
Official Web site: www.carlpalmer.com