Tag Archives: white lion

Mike Tramp @ Blackthorn 51

Mike Tramp (the voice of White Lion) will deliver the classics in Queens. This is his only NYC regional appearance I am told.

blackthorn 51 venue logo

Win To See Stryper In NYC On 7/13/2013

Poster - Stryper at BB Kings - 2013
Click Poster To Purchase Tickets

The Details: The Soldiers Under God’s Command are back in the New York Groove and will be bringing their great live sound to the venerated B.B. King Blues Club once more. It’s always great to have the attack of the yellow and black keep us fans on a positive Metal path and not only is the band supporting their brand new “Second Coming” album, but they will be having White Lion’s own Mike Tramp as their special guest opener. Surely this is going to be a fun night of music. Now, add to this coolness the absolute levels of awesome of the B.B. King Blues Club powers that be who asked PiercingMetal to hold this contest and put some people in the room for free. This excites me almost as much as the fact that the band possesses all original members. Read more on how to participate.
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Revisiting “Metal Edge” Magazine: The CD Reviews – Part 12

These album overviews were originally written for Metal Edge Magazine when I was a contributor to their “Hear Us Out” CD reviews section back in 2006-2007. With the magazine wrapping up publication a few months ago, I decided to add them to the context of our PiercingMetal presentation. I felt that by doing this I would not only be raising the horns in remembrance of the magazine but would also be able to showcase just how different writing for a major publication was when it all came down to it. Since “Hear Us Out” notations were usually “100” words in length, these posts will feature several reviews each until we run out of them. The freelance writing tenure at Metal Edge Magazine was discussed on THIS LINK so please check that out when done. Here are the final reviews, so “Hear Us Out” one last time.

Various Artists: “Metal For The Masses V” (Century Media Records)

The great thing about this compilation is that it includes members of the whole Century Media family of labels and as result you get Into Eternity with Meshuggah with American Heartbreak. Two CD’s loaded with songs from existing and new signings make this a worthy slab of Metal, but lets not forget the DVD that features videos from the same rosters. It’s a great way to showcase the already known while allowing you time to absorb those that are new. You cannot go wrong with a release like that for who knows how many more fans it can make for legends and how many legends it can foster going forward.

Various Artists: “Saw III” Soundtrack (Artists Addiction Records)

Soundtracks are not often easy to review since many of them are sub-par but lucky us this is an exception. After the shaking in fear has stopped from seeing this movie, you can once again feel your blood boil hot with the power of the great bands presented here. Hot new acts like All That Remains, and Mastodon are tempered by the legends Slayer and Ministry while ever rising super powers like Lamb Of God and Meshuggah dole it out as well. A soundtrack helped Evanescence, perhaps this will make a spike marked dent on someone elses career. Yes, there will be blood.

Various Artists: “Sick Of It All: Our Impact Will Be Felt” (Abacus Records)

Slowly becoming the be-all label for finding slam worthy Hardcore and Metalcore, Abacus Records gives us a compilation that celebrates 20 years of the band Sick Of It All. This tribute takes some of the hottest talent in the genre and has them bring to life their own version of a SOIA classic. The idea works for a number of reasons as not only do you hear the hot bands of today but you get the chance to learn more about these forefathers of the Hardcore movement. It’s a great sampling of a wide variety of groups.

Venom: “Metal Black” (Sanctuary Records)

Venom have been referred to as being the “Fathers Of Black Metal” and this title is based on their releases such as “Black Metal” and “At War With Satan”. When the band was formed in 1982 there was not really anyone playing the kind of music much less about the kind of topics that they were bringing to the table. When you look back and listen to the early albums you will find that the original lineup of Cronos, Mantas and Abbadon (who were all named after demons) delivered a more Thrash Punk than Metal style and their lyrics while very dark could not have been meant to be taken very seriously. Cited by bands like Slayer and many others as the key influence to their own forays into Metal’s Dark side the group gives us “Metal Black”. The Sanctuary Records release finds Venom bringing their sound into 2006 but the only original member on the release would be Cronos with his growling vocals and thundering bass. We last saw Cronos on the Dave Grohl project “Probot” and now joining him would be Mykvs (guitar) and Antton (drums) with both members helping out on backing vocals. Together the group reminds the listener once again of the goings on down below and with “Antechrist” and “Rege Satanus” prove that they will never stray far from this influence for their music. Oddly enough this release is far different from the early albums and delivers a solid dose of Heavy Metal rumbling that I think can appeal to even the non-fan. It was better than I remember them and finds a little more musicality being showcased this time around. I had a couple of tracks that I liked the most such as “Burn In Hell” and “A Good Day to Die” which were fast-paced numbers along the lines of Motorhead. There were some levels of lyrical predictability here but overall it is possibly the best work that the band has delivered in years. If you find inspiration in the bands of yesterday then this will be worth looking into. Given the earlier disciples to their sound in the past who knows what the return of Venom in 2006 will find. Only time will tell if the next big thing listens to this and follows in their hoof prints.

Virgin Black: “Requiem: Mezzo Forte” (The End Records)

The 2nd of a Trilogy, this CD makes you feel you should be watching in an elaborate Opera house as opposed to a club setting. This is intense drama and passion that also cannot be appreciated on a first listen. As it thundered by in its lush orchestrations, I felt as though I was observing from an ornate balcony as I wondered how so much diversity was fit into the time presented. This is classical and dark, yet imposing and beautiful at the same time. It goes to show how fresh the “Metal” genre remains as new worlds of musical color are presented on a regular basis.

Wednesday 13: “Fang Bang” (Ryko Records)

Former Murderdolls singer/guitarist Wednesday 13 takes movie monsters, Cemetery romance and grave-robbing to give you ghoulish good time with “Fang Bang”. This quirkiness and the Punk Rock & Roll backbeat are sure to serve the minions of the macabre well as the living dead front man delivers some sinister and twisted tunes. Citing that this recording was more of a return to the style of Frankenstein Drag Queens than his Murderdolls music, the album is a lot of fun from start to finish. If the stuff was done in a serious fashion and not as tongue-in-cheek the subject matter being sung about would terrify a person because he really singing about some horrifying stuff. Instead, this musical adventure is something you might expect from the Crypt Keeper as Wednesday 13 sings as different characters on several songs such as a grave-robbing transvestite during “Happily Ever Cadaver” and someone who lived with his dead girlfriend for “Morgue Than Words”. It all sounds disgusting but it worked oh so very well and you will find them appealing enough to form your own Goth Punk mosh pit. It’s a musically slamming album with more catchy hooks than you can count as he brings Hollywood movie monsters to life on songs like “Haddonfield” and “Till Death Do Us Party”. If you never imagined yourself being moved to stomp during the antics of Jason Voorhees and Michael Myers well here is your excuse as these two numbers are among the albums strongest inclusions. Practically every chorus will have you humming once your first spin of the CD is finished. Wednesday 13 shows a really amusing and dark sense of humor that works well on every song (such as “Buried With Children”), and while most tracks are of this nature there seems to be some seriousness on “Die Sci-Fi”, which is a kind of trippy number, and “Burn The Flames” which finds 13 in his best Alice Cooper moment. It’s almost like the credits section as a movie closes. He provides lyrics for the tracks and that allows you in on the jokes of this very fun record. His very visual nature and horror show premise gives the impression that concerts will be an absolute blast. This bone shaking album will allow you monsters to mash a little more so grab a partner and start shaking – here is your new graveyard smash.

White Lion: Anthology 83-89 (Deadline Music)

White Lion was one of the more popular acts in the Hard Rock 80’s – you had the energetic blonde singer (Mike Tramp) and guitar virtuoso Vito Bratta who gave fans a plethora of rock solid hits. The Anthology had the chance to be something excellent but this is not the case as instead of official album tracks you get songs familiar names but are musically quite different. Loaded with outtakes, demos and acoustic tracks the album should have been called “Rarities” as otherwise its deceiving the listener. Given most of these tracks are lesser grade production value tracks it makes the entire disk a reminder of the great band in name more than music.

Wuthering Heights: “The Shadow Cabinet” (Sensory Records)

If you’re longing for speedy drumming, lightning guitar riffing and vocals that are as resounding as a call to battle then Wuthering Heights is just what the doctor ordered. The Danish group uses all the expected tricks but also mixes many classical and folk elements together and brings some truly epic tunes to your stereo. I felt old Blind Guardian as they played “Faith” and “Seize The Night” and completed my listen as a satisfied Metal maniac. With their fourth release, they show a powerful presence remains. Discovery lies ahead on this one. A live performance DVD is included.

ZO2: “Ain’t Is Beautiful” (Independent Artist)

Every so often, you come across a band that reminds you about the simple pleasures of Rock & roll and all of the magic that it possesses. This is the case with New York’s ZO2, who bring you back to a sound that is generally lost by a number of today’s bands that are concerned more about genre labels than the task at hand. “Ain’t It Beautiful” is the bands second independent release and don’t let the term “indie” sway you as the group comes from some truly inspirational foundations. Dave Z. (the bassist) is also a member of The Trans-Siberian Orchestra, while brother Paulie and drummer Joe Cassata each have ample background from numerous working bands, which at times were busier than established industry “professionals”. The group was also the opener for the entire run of dates for KISS’ “Rock The Nation” tour. The CD follows up their debut “Tuesdays & Thursdays” with a similar theme of Melodic Hard Rock that will appeal to all fans who loved what KISS and Aerosmith did in their earlier years. Their sound is by no means retro, but instead is a skillful blend of the old meeting the new and showing how fresh it can sound when you focus on the basic formulas. Add in the fact that they use three-part harmony vocals these guys give the listeners easily memorable choruses. Paulie has the kind of voice that many Rock singers aspire to for he is bluesy at times, passionate at others, and when it is called for – he can scream like a banshee. It is the kind of diversity you want in a front man and he surely delivers on all fronts and gets you on your feet with numbers like “Get Up Now” and “If You See Kay”. While these are two of the bands most inspired rockers, I loved “Comin’ Home” and “Isolate” the best as each of them just took me away to a live show with the vibe that they brought. The guys also show respect and homage to the Rock founders on “Get The Led Out”, a number that uses some sweet Zeppelin feels and style. The album sounds fantastic and was produced & co-written by Bob Held. It’s music that you will want to play loud, sing along to and memorize all at the same time. I’m convinced that bigger things await ZO2 and their fans. Anyone else want to come along?

With this post we are finished with this presentation but the other chapters in this series of “Revisiting Metal Edge Magazine” can be examined by clicking on the “metal edge magazine” tag in this and the other posts. I hope that you enjoyed these summaries as much as I enjoyed sharing them with you in this fashion.

Official Websites:
Venom: http://www.venomslegions.com/
Virgin Black: https://en.wikipedia.org/wiki/Virgin_Black
Wednesday 13: http://officialwednesday13.com/
White Lion: https://en.wikipedia.org/wiki/White_Lion
Wuthering Heights: http://www.wuthering-heights.dk/
ZO2: http://www.zo2.com


“The Definitive Rock Collection” by White Lion

Artist: White Lion
Title: “The Definitive Rock Collection”
Label: Rhino Records
Release Date: 1/23/2007
Genre: Hard Rock
Rating: 4/5

Formed in 1983 by singer Mike Tramp and guitarist Vito Bratta; White Lion was a band that would rule the Melodic Hard Rock scene of the eighties. Together with drummer Greg D’Angelo and bassist James Lomenzo they would become darlings of the MTV sector with a number of their videos and while often associated with the “Hair Metal” focus that was prevalent at the time, would offer fans deeper musical content than many of their contemporaries. Theirs was the perfect formula for success with the pinup looking front man in Tramp and the guitar god in Bratta and this often found the pair being compared to the likes of Van Halen members Dave Lee Roth and Eddie Van Halen. The offering of more socially relevant songs as opposed to what many of their contemporaries would be doing allowed the band to stand out a little more from the general pack. Yes they had some rousing anthems for love like “Tell Me” or “Love Don’t Come Easy”, but there was also “Little Fighter” which referenced a Greenpeace ship and “When The Children Cry”, their ballad that tugged at the heartstrings. With White Lion you got deeper stuff than that which focused on drinking and partying hard. Growing up in Brooklyn at a certain time allowed me to remember quite clearly how exciting this band was on stage and how well they were received by the audience. You felt as though you were a part of something special with White Lion and while I grew into much heavier stuff I always held them in special regard in my musical heart.
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“Anthology ’83-‘89” by White Lion

Artist: White Lion
Title: “Anthology ’83-‘89”
Label: Deadline Records
Release Date: 6/27/2006
Genre: Hard Rock
Rating: 2/5

As someone who grew up in Brooklyn and was a frequent patron of L’Amour the Rock Capitol, I felt that the idea of a White Lion Anthology would be something to look forward to and also something that would be really enjoyable. The reason behind this was because to many people like me White Lion were the hometown heroes and when they played the club you could not get in anywhere. It was over the top Hard Rock power with one of the best guitarists you could hope to hear; Vito Bratta was our own Eddie Van Halen and actually Mike Tramp was our David Lee Roth in most cases. Drumming was Greg D’Angelo and bass was handled by James Lomenzo with the result being some truly memorable Hard Rock with a commercial edge that gained them tremendous success. The band released three studio albums and a best of compilation on Atlantic Records and thus far we have not seen these albums remastered. This fact is a shame since the band also had a strong presence on MTV and made the label quite a bit of money. The Anthology would have been perfect if it actually included music from these 3 albums but instead we get unreleased versions and outtakes. While I am not sure of the reasoning behind this, it seems clearly obvious that perhaps no access was granted to the original music in order to release it in this fashion. This would only leave the outtakes and demos for the tracks available. The oddest part of the release was its total exclusion of real versions of the bands debut, “Fight To Survive”. While “Pride” was the groups major label debut, the smaller independent label Grand Slamm released the bands true first album and it was killer. We do have acoustic versions of songs from this release but they are terrible, and the re-do of “Broken Heart” was beyond dismal. It especially took the fire out of the original song, so you can imagine how bad an outtake of this disaster could be. I cannot honestly recommend this CD for anyone more than the staunchest of band supporters and even they should be warned about it. The inside foldout (there’s not even a book with a good amount of photos to enjoy on this) finds Tramp lining out where blocks of songs came from.
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