Tag Archives: pete trewavas

Marillion Announces “Live In The USA” 2018 Dates

The guys in Marillion recently revealed their early 2018 touring plans. I’ve shared the poster, press copy and dates for you below. I’ll close out with some additional editorial thoughts since I’ve been listening to them for a couple of decades now. Take a look.

The Press Release:
Recently crowned Prog Band of the Year by their peers at PROG Magazine, legendary British prog pioneers Marillion, are set to return to the US in the new year announced today. Marillion will headline the next installment of Cruise to the Edge departing the port of Tampa on February 3rd, returning February 8th, immediately followed by nine headlining dates beginning in Orlando at The Plaza Live on Friday, February 9th. Complete routing below. The nine-day run was curated in part by fans as the band will see many cities not visited in more than a decade, if ever. Presale begins today with general onsale on Friday, October 6 (**unless noted below). Fans can visit Marillion.com for more information.

The new single, “Living In F E A R” is available for pre-order now, releasing Friday, October 6. With exclusive packaging, the single will include the newly recorded 4-track version, exclusive live edits of “Living In F E A R” and “The Leavers,” and two songs from the forthcoming limited live issue series. The single will be available in multiple formats including Vinyl and CD on Amazon, digitally on iTunes and in the UK at HMV. The new video for “Living In F E A R” can be viewed here: https://www.youtube.com/watch?v=6lNOv-QVeuo&feature=em-subs_digest.
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Marillion Announces Remasters Of “Misplaced Childhood” & Classic Catalog

As a big fan of this album in particular, I couldn’t wait to share this news with you readers. Check it out.

The Press Release:
Following the demise of our old record company EMI, our first 8 albums were taken up by Warner Music. With our assistance, they have decided it’s time to bring those albums up to date.

The first album to get the makeover will be “Misplaced Childhood”. The package will include a 5.1 mix by Steven Wilson and a new stereo master taken from the original analog 1/2” tape. This will be used to make a new vinyl and CD version which we believe to be superior to the 1998 re-master.
There will also be a documentary video on the Blu-ray version about the making of the album featuring Marillion, producer Chris Kimsey and Fish, where we reveal some previously untold stories about the writing and recording of “Misplaced Childhood”. We hope you will enjoy revisiting this album when it’s released in July. It is available to pre-order now:

CD/Bluray version: http://www.marillion.com/shop/albums/misplaced-deluxeCD.htm
Vinyl Box Set version: http://www.marillion.com/s…/albums/misplaced-deluxeVinyl.htm
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Marillion Announces North American Tour For Fall 2016

2015 is coming to a close faster and faster as we head into the holidays and then prepare our musical minds to welcome in the brand new 2016; This fact doesn’t prevent the occasional tour from being announced and while I always love learning that Marillion is planning on some US visits, I admit I was surprised to hear about dates that will not be happening for almost a year. Check out the promo art, press release and disclosed dates below. I’ll return with some more opinion afterward.

Tour - Marillion - 2016

The Press Release:
(December 9, 2015) – Triumphant cries can be heard across the pond as Prog fans celebrate the return of Marillion to North America in 2016 with thirteen dates next fall beginning on Friday, October 21 in San Francisco – full routing below. Special Guest John Wesley will support for the run of dates – a frequent guest at their bi-annual conventions. Tickets will go on sale this Friday, December 11, fans can visit marillion.com for more info on each date.

Marillion will be on the road for much of 2016 in support of their forthcoming 18th studio album releasing in the spring via partnership with PledgeMusic announced earlier this year. The DIY pioneers have had a direct relationship with their devoted following creating a new business model of crowdfunding back in 1997, long before Kickstarter and GoFundMe provided an opportunity for artists and filmmakers alike. For more information on the new album please visit http://www.pledgemusic.com/projects/marillion.
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Marillion’s “Fugazi” Hits 30th Anniversary (1984-2014)

The milestone anniversaries of albums is really getting under way for 2014 as I present numerous milestones for the albums I have enjoyed for a great number of years and that brings us to Marillion’s “Fugazi” which was released thirty years ago today. Now I’ve admitted in other blog posts that I was NOT the biggest Marillion fan until many months after the “Misplaced Childhood” album had been released and I kind of went backwards after I first heard them since this was later in the Fish era of the group. That being said I had heard about the band and liked the tune “Assassing” which I heard on a Metal compilation release that Kerrang! had issued but I will admit that I never looked deeper into them at the time which would have been smart to do but oh well. “Fugazi” is Marillion’s second album and most of the tunes on the release were epic in length with two of the songs stopping short of seven minutes and another pair surpassing the eight minute mark. My indulgence of “Assassing” was often as I really liked the feel and vibe of its composition and how it appeared to tell a story. I would later learn that so much of the Fish works were tales that brought you to different places and emotions. Thinking back on the album I would say that “Punch and Judy” was another favorite and the albums closing two monsters of “Incubus” and the title track. All words were penned by Fish and the music appeared to have contributions from just about everyone. According to the written history of the release its title was based on the dramas that it took to put together. It was the first with drummer Ian Mosely who had previously been a member of Steve Hackett’s band. The original track listing is below.
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Marillion’s “Script For A Jester’s Tear” Reading Fine At 30 Years (1983-2013)

1983 really seemed to be a great year for music and I am not just relegating this to the Heavy Metal genre and all of the cool stuff that came out during this particular year but even in the now labeled as Classic Rock area and the Progressive Rock stuff too. That said we are now at the official thirtieth anniversary of Marillion’s iconic debut album “Script For A Jester’s Tear” and as I say these words a couple of immediate things pop into my mind along with some other more important revelations. The first one is that I was not even remotely a fan of the band at the time of this release but I had heard the name on a couple of occasions. I recalled a cloisonné pin that a girl I fancied wore on her denim jacket and her enthusiasm about them when they were brought up in music conversations. Sadly I would but I would not investigate further. At this point in my life I liked what I liked and was not always as open to new things. The second time would be when I purchased a UK Metal and Rock compilation LP that would have a song by the band called “Assassing” but that melody hails from the debut’s successor and hence has no real place in our 30 Year toast. I am just sharing what came to mind ? Don’t worry I would catch up on the band in due time, just not for a while yet. Let’s continue.
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