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“Live At Montreux, 2005” by Alice Cooper

Artist: Alice Cooper
Title: “Live At Montreux 2005”
Label: Eagle Vision
Release Date: 5/30/2006
Style: Hard Rock
Rating: 8/10

Continuing with their collection of excellent concert films from the Montreux Jazz Festival, Eagle Vision gives us a 2005 performance from the legendary Alice Cooper. For over thirty years Alice Cooper has held the title as the “Godfather of Shock Rock” with bands such as KISS and Motley Crue following in his influential footsteps. For this concert Alice would be performing in support of his to be released “Dirty Diamonds” CD (of which several tracks are presented for the viewer to enjoy). However, like many Artists who place too much focus on a new release Alice and Company make sure to provide an absolutely heavy amount of classics from his extensive back catalog. Most of his hits are now legendary parts of Hard Rock music culture and I think even the most distant of music fans knows that “School’s Out” and “Billion Dollar Babies” are Cooper tracks. Fortunately these and many others are present but as you watch this concert there is a couple of things that stand out very quickly about the show. You’ll find that there is not much of an emphasis of the showman from the Nightmarish carnival that he usually brings around with him. The stage itself is not garish in design and no one is really in any sort of costume change except Cooper who has several during the performance while using a number of small props. He has a female dancer who also goes through a number of costume/character changes during the show and she does really well. It was a great difference to the Cooper experience for while its common knowledge about his level of visual talent and capacity, this showed that while it’s an important part of his show, it can be used minimally and still have a maximum impact on the audience. No matter what the reason for his changing the format from the way he used to you can count on Alice to lose his head for you as a viewer when it comes down to it. As an older fan of Cooper I lean to his classics, but was happy to see his newer material hold a heaviness that works very well.
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