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“The Nightmare Returns” by Alice Cooper

Artist: Alice Cooper
Title: “The Nightmare Returns”
Label: Universal Music
Release Date: 8/14/2006
Genre: Heavy Metal
Rating: 5/5

In 1986, Alice Cooper would reinvent and rise from the fallings he had found himself in the middle of. He was both unable to get attention for his latest music and also was recovering from the pains of alcohol addictions. Despite these turn of events Alice would rise like a phoenix and take hold of the power of Shock Rock that he helped create so many years ago once again. The DVD filmed in 1987 was shot on a very appropriate Halloween night in front of a sold-out crowd in Detroit. Alice’s return would also show a new and very Metal side to his brand of Rock for a change; this would be a welcome format for the classic numbers that suddenly seemed to have so much more attitude and life than they ever had before. The eerie opening of “Welcome To My Nightmare” would set the pace as Alice emerged from under the stage to a blast of Metal power from his new band. The legendary performer was smart to bring on a truly kick ass Metal band for this tour whose lineup consisted of the Rambo-esque Kane Roberts (lead guitar), Devlin 7 (rhythm), Kip Winger III (bass), Ken Mary (drums) and Paul Horrors (keyboards). Most know that Winger and Roberts went on to solo careers with Kip being the one who found the most success of the two. The Alice Cooper set for the show would be chocked full of fear-filled hits and over the top stage dramatics for every one of them. “Billion Dollar Babies” finds Alice performing with a baby doll on a sword as he throws play money around while “Only Women Bleed” finds him singing to an apparently lifeless dummy, which is not as it seems for the whole song. “I Love The Dead” is among the truly terrifying moments in the show as Alice meets the Grand Executioner and let’s just say heads will roll with this one. It is not a scene for the timid, and Alice and company pull it off without a margin of error. The overall choices in the songs for the show would satisfy the most ardent of Alice supporters, but better still serves as a great new take on his classics for those who might not have enough knowledge of his work. My personal favorites are too numerous to list, but the best example to describe this is as a live Greatest Hits concert video. Everything you expect and more is there to enjoy.
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