Artist: Tony MacAlpine
Venue: DROM Club (New York, NY)
Opener: John Ferrara, Felix Martin
Label: Sun Dog Records
Any fan of Metal guitar is probably familiar with Tony MacAlpine, a pioneering 80s musician, who along with Yngwie Malmsteen, Steve Vai, Jason Becker, Marty Friedman and a few others redefined what was possible to do with the guitar as an instrument and influenced countless other musicians. Tony MacAlpine’s first 2 albums are widely considered guitar classics, especially by fans of the Neoclassical Metal style. MacAlpine has since branched out into more eclectic musical directions such as Jazz Fusion and progressive metal, both under his own band name and as part of groups like Planet X, Portnoy/Sherinian/MacAlpine/Sheehan, and CAB. He also toured with Steve Vai band as second guitarist/keyboardist. A few years ago, MacAlpine embarked on a rare solo US tour, playing the seminal Maximum Security record in its entirety. The tour was a success and was followed by another a year later. Both times the New York City dates were held at Iridium Jazz Club. This year the tour moved downtown, to the cavernous DROM space which has been hosting more Rock gigs lately, picking up the slack for the closed Webster Hall presumably. DROM is a nice venue with upscale ambiance, good acoustics, and, unlike The Iridium, no mandatory food/drink minimum.
John Ferrara, of progressive metal band Consider the Source, was the local opener for this date. To say that Ferrara merely plays bass guitar would be a massive understatement. Through use of various effects, loops, and innovative techniques, Ferrara weaved some really interesting melodies that were complex but still very listenable. It was easily the most musical use of electric bass I’ve ever heard. It was just him and a drummer but they generated enough sound to make you think of a much bigger ensemble.
Continue reading Tony MacAlpine @ DROM (9/22/2017)
Contributor Steven Stolper was on point enjoying the findings at the annual ProgPower USA Festival that takes place in Atlanta, Georgia at the Center Stage Atlanta theater and as already noted in one of the earlier chapters, PiercingMetal has NEVER been to the event despite the occasional interest. Fortunately, Agent Stolper was sending a final transmission to the Metal High Command from the field about this mission. Here now are his transcribed views bout the fourth and final day of ProgPowerUSA XVIII.
ProgPowerUSA XVIII Day 4: 3 days of nonstop music and parties take a toll on the body and the mind, so difficult choices had to be made and some sets were skipped. Pain and Amaranthe namely. All of the Day 4 bands except the opener were from Sweden, a testament to the country’s great contribution to the genre and popular music in general.
Seven Spires (USA):
Australia’s Teramaze was originally scheduled to perform in the opening timeslot, but unfortunately had to cancel a few days before due to health issues. That was upsetting because Teramaze was one of the bands I was looking forward to the most. Their latest album, Her Halo, was a really tasty slab of melodic prog metal. Boston’s SevenSpires answered the call and rushed to Georgia to bring their brand of metal to the masses. Seven Spires play aggressively melodic euro power metal with a female singer named Adrienne Cowan, who does both clean and extreme vocals equally well. Their video single, Cabaret of Dreams, sounded true to its name live, like a metallized groovy cabaret number. Other songs were more traditional, with many pounding harsh voiced numbers. The band had a very energetic stage presence and did a good job whipping the somewhat sleepy audience back into fighting shape.
Continue reading ProgPower USA XVIII Day Four Musings (9/9/2017)
Despite his rough exterior and angry bad boy attitude, Glenn Danzig put smiles on hundreds of faces at the Wellmont this past September. It goes without saying, but Danzig’s following gave the local hero a warm Jersey welcome as they anxiously stood wrapped around the block totaling enough metal studs and apparel to conquer a small city.
Touring in support of his newest release, “Black Laden Crown,” Glenn no doubt kept to his notorious high standards regarding opening acts. Another superstar tour paraded young(er) guns: Mutoid Man and Corrosion of Conformity. There was not a dull moment as both bands did their job by exciting the crowd and maxing out the enthusiasm.
Danzig made it to the venue just in time for his set, which he killed. Starting on the right foot with “SkinCarver,” the audience was captivated from the first growl and continued to display their moshing zeal right into the classic, “Twist of Cain”. “How the Gods Kill,” “Dirty Black Summer,” and “Last Ride” were all highlights of the show. There was no stopping the vehement shock of an innocent bystander each time a wild mosher piled into them. But with that being said, is there such a thing as an innocent Danzig fan? Doubtful. Rightfully so, the show went on just as expected, loud, energetic, and violent.
Continue reading Danzig @ The Wellmont Theatre (9/9/2017)
Artist: Ace Frehley
Venue: B.B. King Blues Club (New York, NY)
Label: e1 Entertainment
The man is electric and his electricity is contagious. Despite the nearby Megadeth and Scorpions show taking place just down the street at Madison Square Garden, Ace Frehley had the entirety of New York under his thumb right here at the Times Square staple B.B. King Blues Club. After all, this is his city. With a line of painted faces and a mix of KISS and solo Ace shirts forming outside at 3pm while the doors only open at 615pm, you could only expect that the Space Ace drew an international crowd of the most loyal fans fully ready to rock and roll all night. Sure enough, it was hard to even move in the club (unless, of course, the legend threw a guitar pick into the crowd, because everyone and their mother jumped and pushed for that square inch of magical plastic).
The Spaceman came in hot from Jendell between the hours of 8pm and 9pm and, without missing a beat, turned out a beautiful recreation of “Parasite,” a classic KISS fan favorite off of Hotter than Hell. The energy only intensified from then on out. His Space Invader hit, “Toys” was up next. Afterwards, the rock icon paused to appreciate 11 years of sobriety, but pointed out the fact that we were all still expected to drink just as long as we didn’t crash our cars on the way home, as he knows all too well how that feels. The night continued with Ace’s very own, “Rip It Out” off of his self-titled album, Ace Frehley followed by a version of Thin Lizzy’s “Emerald”. Each member of the Ace Fehley band had their night behind the mic, but first in rotation was Mr. Scot Coogan on drums who took lead on another KISS cover, “Love Gun”. After Ace sent a shout out to his former bandmate, Paul Stanley, Coogan performed doing the song a great justice and, no doubt, the crowd went wild for every reinvention of KISS. Ace grabbed back the lead with yet another KISS masterpiece, “Rocket Ride” and then took the energy right into his Anomaly release, “Sister”. Unlike most traditional rock bands (well, I guess KISS does it too), Ace gave way to a bass solo by Mr. Chris Wyse who proclaimed the integrity and significance of the bass guitar in rock music. Full of energy, Wyse took the lead on ANOTHER KISS favorite, “Strange Ways” again off of their 1974 release, Hotter than Hell.
Continue reading Ace Frehley @ B.B. King Blues Club (9/16/2017)
Venue: Highline Ballroom (New York, NY)
Opener: Sithu Aye
Label: InsideOut Records
Written By: Steven Stolper (copyright 2017) for PiercingMetal.com
Haken is a Progressive Metal band from England that has been steadily gaining popularity on this side of the pond. Last time around they packed Webster Hall’s Marlin Room and now it was onto bigger spaces. The Highline Ballroom is a bit larger in scope but I wonder if this show would have been held at Webster Hall if it was still open. Whatever the case, I do think Highline is a superior venue, with better stage, sound, and lighting. And no ceiling “thump” that The Marlin Room events often suffered from when The Grand Ballroom shows upstairs would get rowdy. As with Webster Hall though, there are late night events scheduled at Highline, so music, events can get pushed into early slots. This concert started earlier than posted, at around 7:10pm, not 7 30 as advertised. Sithu Aye, a proggy instrumental guitar shredder from Scotland opened. An enjoyable set, sort of what one might expect Joe Satriani to sound if he listened to a lot of modern Prog-Metal. I was disappointed to find the use of backing tracks for keyboards and some guitars. It kind of takes away from the live feel, and I don’t really see the point, considering that he actually brought a full band with him which included a second guitarist. Why not improvise, or play album keyboard parts on guitar?
Continue reading Haken @ Highline Ballroom (9/2/2017)