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Blackfield @ Bowery Ballroom (3/16/2007)

I had only heard of Blackfield shortly before their recent CD “Blackfield II” and was intrigued about the project that featured Porcupine Tree’s Steven Wilson and Israeli Alternatiive superstar Aviv Geffen. New York City had been hit by a terrible snowstorm that day but that didn’t stop the crowd from assembling at the Bowery Ballroom with my associate Peter Parrella who would offer up his thoughts on the night. I tried my best to capture some moments in photos and you can see more by clicking their logo below. It will bring you to the main PiercingMetal.com site where the article resides. If it makes you sad for not attending, don’t sorry as the group was filming a DVD of the show that night for all to eventually enjoy.

Logo - Blackfield

Artist: Blackfield
Venue: The Bowery Ballroom (New York, NY)
Opener: Jordan Rudess
Date: 3/16/2007
Label: Atlantic Records

Blackfield’s performance at New York City’s Bowery Ballroom on March 16, 2007 was a crowd pleaser on so many levels that it’s hard to enumerate. Those who braved the sting of a late season sleet storm to hear this sold out show were treated not only to a tight, majestic performance by the headliners but also to a marvelous solo set by current Dream Theater and former Dregs keyboardist Jordan Rudess.

To begin the evening Rudess quietly took center stage, sat at his massive master keyboard (reportedly driving his piano sounds from “Ivory” software via his MacBook Pro), and proceeded to roll out streams of arpeggios from which emerged the melodic hallmarks of some of the most revered progressive bands of the previous few decades. His beautifully crafted suites and re-imaginings of classic King Crimson, Yes and Genesis tunes enthralled the audience peppered with Dream Theater fans. The crowd responded with gasps of appreciative glee as they recognized bits of “Court of the Crimson King”, “Carpet Crawlers”, “Supper’s Ready” or “And You and I”, that rose out of the waves of ornate piano work Rudess laid down. After the second piece he half jokingly asked “Do you recognize any of this/If so, feel free to sing along”, but few ventured to break the magic of the performance by vocalizing.
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